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IVAN AIPLATOV

Designers
IVAN AIPLATOV

IVAN AIPLATOV Belarus Belarus

Designer, who easily deals with various trends and style forms, took a challenge this season and chose Russian cottage house («izba»), its surface texture, traditional décor and colour range as a font of inspiration for his spring-summer 2012 collection.

Aiplatov was amazed by absence of randomness in decorative elements of façades, platbands and carved planks, their expressiveness and interconnection. To explore this facet of Russian culture designer set off on a creative expedition around the country. He immersed into deciphering the meanings of the lines, patterns, details of fretwork and finish of «izba» thus shaping the idea of the future collection. 

 

 Aiplatov was amazed by absence of randomness in decorative elements of façades, platbands and carved planks, their expressiveness and interconnection. To explore this facet of Russian culture designer set off on a creative expedition around the country. He immersed into deciphering the meanings of the lines, patterns, details of fretwork and finish of «izba» thus shaping the idea of the future collection. 

From now it’s not only dressing game that fascinates Aiplatov’s clients but also reading the intertext attributable to each item of clothing. One is sure to take pleasure in examining the unique prints of relief of a tree’s sawn end (photos which served as a sample for prints were also brought from the expedition), that are full of mysterious lines and fascinating variations of tints – from subdued red to subtle emerald green.

Though the original topic sends us back to the past, the collection is totally deprived of nostalgia and spiced up with Aiplatov’s brand-name provocativeness. It shows even despite the restrained range of colours.

As for ladies, designer offers alluring and seductive wardrobe which complements figure in any time of the day. Silk mini-dresses with ornamented hems, overalls of different length – from micro to maxi. Extra-sexy pencil skirt with a zipper and horizontal pleats that can be taken off in one move. Finally, blouses and dresses with almost imperceptible leopard print which resembles wood surface combined with paisley pattern.

For men Aiplatov has some special aesthetics in stock. Extremely narrow suits with thin lapels for those who want to emphasize strong sides of their figure. Shorts and pants of complex cut with wedge-shaped insets and long johns-like trousers. The latter match perfectly with         T-shirts that have prints with letters from the Old Slavonic alphabet and illustrations of Ivan Bilibin’s mythical sirin-birds (according to the legend, it’s a bird of paradise with a head of a virgin) (as if made with the purpose to lull the vigilance of the ladies).

There is a glossy shade of blue that can be seen trough all images of the collection. It casually appears on the stripes of women overalls or on inside coat-breast of a shirt thus setting off and accentuating moderate colours of clothing in a very special way. The choice of the colour is not accidental. According to old Russian mythology it symbolizes wisdom, eternity, truth and faith.

 

That’s the professional attitude Ivan Aiplatov sticks to. His pieces of clothes cannot be uncovered at first sight, they require a closer look, a greater intimacy and profound exploration of new sides.

 


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